Chapter 6 - THE RECIPE BOOK AND THE DEAD MAN'S NAME

For two days after Santos, I slept badly. Whenever I closed my eyes, I saw the blue bench, Rosa's hand hovering above my shoulder, and the empty obituary folder that police had found in Álvaro Cruz's office. The wording was so polite that it frightened me more than a direct threat. It described me as a beloved young woman who had died following an unfortunate incident. Someone had even added the name of the hospital where I might supposedly have received care.
Alessandra assured me that investigators were treating the document seriously. She also told me not to read it again.
“Why?” I asked.
“Because you already know what it says. You don't need to let their version of your future become the one you keep rehearsing.”
I put the pages away. Then I went to see Helena.
She was staying with a friend while her apartment locks and security were reassessed. When I arrived, she was sitting on a balcony shelling peas into a chipped bowl. It was the most ordinary picture I'd seen in days.
“Help me,” she ordered.
I sat. We worked for ten minutes without speaking.
Finally she said, “Rosa wants to see you again.”
“I know.”
“You haven't answered her message.”
“I don't know what to say.”
Helena split a pod with her thumbnail. “Then tell her that.”
I looked at the woman who had raised me. “Are you angry with her?”
“Sometimes. She asked me to be your mother and then made me lie to you. But I said yes. I made that choice too.”
“I still love you.”
Her hands stopped. “I hoped you would.”
“I'm angry at you too.”
“I know.”
We kept shelling peas. After a while Helena said, “You can have two mothers and still be furious with both. Family isn't a courtroom where only one person wins.”
I laughed, though the movement tugged at my mouth. That was the kind of wisdom she offered while doing chores, never during dramatic speeches.
The independent genetic results arrived before lunch. We had all agreed to testing because Rosa understood that memory and photographs should not be the only evidence of a relationship with such enormous consequences. A licensed laboratory confirmed that Rosa was my biological mother and that the results were consistent with Dante and me sharing both parents. Alessandra explained the report in plain language, then left us alone. I called Helena first. She cried, even though the results confirmed what she already knew. Dante sent me a single message: I wish I had known you earlier. I wrote back: We know each other now. It wasn't a cure for the missing years. It was simply a fact we could build on, one that couldn't be altered by somebody else's handwriting.
In the afternoon Dante invited me to the mansion to identify the cartons I'd seen in the wine room. The police had already documented and removed the relevant items; no one expected me to investigate independently. But I could tell them which shelves had been moved and which labels I'd noticed before the assault.
Walking through the service entrance felt strange. The corridor smelled of lemon polish, and the same clock ticked above the kitchen doorway. For three months I had carried trays through that space, trying not to be seen. Now two guards stepped aside and addressed me as Senhora Marina. I asked them not to.
“Just Marina,” I said. “Please.”
Dona Almeida met me in the kitchen and gave me a careful hug. She inspected my healing mouth and shook her head.
“Someone should have taken you to a hospital immediately.”
“Yes,” I said. “Someone should have.”
“I've been thinking about that.” She pressed her lips together. “I was afraid of losing my job too.”
“We both were.”
She handed me a worn notebook bound in green cloth. “Caio left this with me a week before he died. Told me to give it to Rosa's child if she ever came looking.”
My stomach tightened. “You knew?”
“I knew he thought you were important. I didn't know why. He said not to open it. I believed him.”
The notebook was Rosa's old recipe collection. Dante entered as I turned the pages. Each recipe had notes in the margins: more orange on cold days, never rush onions, let meat rest before serving. A pressed bay leaf lay between two pages. On the back cover, taped beneath a loose strip of fabric, was a small folded note in Caio's handwriting.
Dante read it aloud.
“If I cannot bring this to you myself, ask why Vicente paid the clinic that issued the first toxicity report. The laboratory refused to compare samples from the dinner with samples collected later. Someone wants the wrong story believed.”
I looked at him. “Caio suspected he was being targeted.”
“He did.” Dante's voice was rough. “And I spent seven days making the kitchen prove its innocence.”
Dona Almeida gripped the counter. “We were terrified of bringing him food.”
Dante faced her. “You should not have been. I owe this staff an apology.”
The room fell silent. She nodded once, eyes wet, then returned to the stove as if words that heavy needed somewhere ordinary to land.
Alessandra joined us and reviewed Caio's note. “This helps identify a laboratory and a possible conflict of interest,” she said. “We still need a properly documented examination and independent expertise.”
Dante sat at the table. “Arrange it.”
“It is already being arranged.”
He almost smiled. “You enjoy telling me that.”
“Immensely.”
We took the recipe book into the library, where Dante showed me a photograph of Caio Mendes. He looked about forty, with close-cropped hair and a crooked smile. In the picture he stood beside Dante outside a charity kitchen, each holding an enormous cooking pot.
“He used to tell me that if the company stopped feeding people, it didn't deserve to exist,” Dante said.
“What kind of work did he do?”
“Compliance, logistics, contracts. He kept the legitimate operations from becoming excuses for everything else.”
I glanced at him. “And the other operations?”
Dante's expression tightened. “You're entitled to ask. I inherited arrangements I should have challenged years ago. Some were legal businesses surrounded by men who preferred intimidation to rules. Caio wanted those ties severed.”
“Did you listen?”
“Not enough.”
It was not a confession of every wrongdoing. But it was the first time I had heard a man called a mafia boss speak about responsibility without treating it as a favor he bestowed.
Bruno arrived with news that Rafael had given a recorded statement. He admitted turning off the wine-room cameras in exchange for money and a promise that his brother's debts would be forgiven. He identified the attacker as a contractor named Leandro Pires. Records showed Leandro had been hired through an agency used by Cruz Heritage Services. Rafael said he had not known about the knife, but he had heard Vicente insist that Marina be “silenced before Dante notices the resemblance.”
My skin went cold. “They knew I was his sister before he did.”
“Yes,” Bruno said.
“For how long?”
“We're still establishing the timeline.”
Alessandra was careful to add that Rafael's word required corroboration. Fortunately, digital and financial records appeared to support several parts of his story. Police were trying to locate Leandro.
Rafael's statement included one strange detail: Vicente had twice ordered a meal from the kitchen but refused to let staff serve it near Caio. He demanded that a particular dining room be used instead.
“Maybe the poisoning happened somewhere other than the dinner table,” I said.
Alessandra nodded. “The timing and source of exposure are under review.”
For the first time since Caio's death, Dante seemed to breathe fully. Not because the danger was gone, but because he no longer had to blame every spoon and plate.
That evening Rosa called me from the temporary apartment arranged through her lawyer. I answered on the third ring.
“Marina?”
“Yes.”
“I heard you found my cookbook.”
“Caio hid a note in it.”
“He was a brave man.”
“He also didn't tell Dante you were alive.”
“He intended to. He wanted enough evidence that Dante wouldn't have to choose between believing me and believing his uncle.”
I traced a stain on the tablecloth. “Do you still cook?”
“Sometimes. Mostly simple food.”
“Helena taught me the roast.”
“I taught her,” Rosa said softly. “She improved it.”
We both laughed. The sound startled me.
Then she said, “I won't ask you to call me Mama.”
“Good. Because I don't know if I can.”
“Call me Rosa until you decide otherwise.”
After we hung up, Dante appeared at the library doorway carrying a plate. The roast had been made by Dona Almeida. He set it before me without demanding a taste test.
“Hungry?” he asked.
“A little.”
We ate together beside an open window. Neither of us talked about contracts or death for almost twenty minutes. We spoke about movies, terrible school photographs, and whether cinnamon belonged in coffee. Dante argued no. I argued yes.
Then Bruno returned with a sealed copy of a newly obtained bank record. It showed a payment from Fenix Holdings to the clinic named in Caio's note, authorized the morning after his death. The memo field read CONSULTATION SERVICES, but the amount matched a figure from Ana's old ledger.
“Who signed it?” Dante asked.
Bruno looked at us both.
“Vicente Montenegro. But his attorney claims he was out of the country when the authorization was made.”
Dante frowned. “Was he?”
“The travel records say yes.”
Alessandra opened the attached image. A woman stood beside Vicente at the airport, turning away from the camera.
I leaned closer. She wore a blue coat. A familiar pendant glinted at her throat.
Rosa's other locket.
I sat back, stunned. “That can't be right. Rosa was in Santos.”
Alessandra enlarged the image. The woman wasn't Rosa. She was younger, with dark hair pulled into a low knot. But she was wearing an exact duplicate of the family pendant, including the red stone.
May you like
Beneath the photograph, the airline record listed her name.
HELENA OLIVEIRA.